Black Box Work - Split Screen

Split screen is used to portray two different corresponding aspects of a scene or story line. It is usually utilised both shots in real-time.
When a ascending story arc is cascading towards the culmination of a significant plot line. Many directors have been known to practise this technique in order to apply drama to a scene.
The technique breaches the illusion that the screen's frame is a seamless view of reality, similar to that of the human eye.

My split screen production however was not to utilise these ideas and was a considerable failure. This was due to a large proportion of our film being lost during post production.
And so my computer defouled editing mishappenings and lack luckiness continues into the second term. To say anymore on this matter is a waste of time and I assume you agree entirely with my very own diagnosis that it is a considerble piece of crap.

Split Screen - Timecode

Black Box Work - The Collision

The Collision

Editing/Kuleshov Theory

Montage editing is compiling a compilation of unrelated shots into a certain meaning. It can be used to create a specific mood or desire of a character, or used to portray thoughts or emotions through a visual aid. The origin of this technique was Kuleshov who baffled hollywood by inventing a original persuasion in film.

His aims were political and he was purely a propagandist but his technique was aquinted enthusingly by western film makers and taken more publicly into the region via mainstream film and television. Enabling editors to interpret film capture as they saw fit. Plastering the convenience of unrelated imagery into decidedly parallel fiction and replacing it with alterations of truth.